Qul Erzun Erz e Kerbala—-Kul Yom-un-Yom-e Aashura
Every land is Kerbala and every day is day of Aashura
“Its the story of a night , of murder ,of army invasion , of mutilation of bodies , of imprisonment of ladies, of fire, of suppressed cries , of lashes, of torture, of hangings, of resistance—this is common between Kerbala and 4th April and thats why both have merged as a symbol in Urdu poetry”
On 4rth April , this state took revenge from the people for threatening its existence during the revolution of 1968-69. The dark night which started still continues. The evil still rule. Party once again under threat. One after one they put daggers in our heart. Zulfikar Ali Bhutto , Shahnawaz Bhutto , Murtaza Bhutto and Benazir Bhutto.
Asif Ali Zardari is besieged in presidential palace repeating the mistake which killed each of our leaders. The mistake of reconciliation with alien classes. From his death cell Zulfikar Ali Bhutto wrote “i made a fatal mistake , that tried to reconcile the two classes , there can be no reconciliation between the oppressed and oppressors. Asif Ali Zardari its time to read the “foundation documents of Pakistan Peoples Party”. Its time to enter in final struggle or you know as you yourself said “you are sitting on the chair of martyrs”. The ruling classes have not allowed a single chairman of PPP to live—
Ahmad Faraz wrote this revolutionary poem about our great Army. What have it done to us , from Bengali Genocide to Balochi genocide. What it is doing today. A masterpiece of resistance poetry , it speaks of imperialism both British and American and their mercenaries “our Army”
The initial remarks about Faraz in the video should be understood in context of “inter-left” sectarianism between NAP and Bhutto otherwise Faraz always stood for oppressed nationalities, this very poem is its proof. It should be “war cry of the people”
This second poem is “Mohasra”. “The Siege”. It was written on murder of Zulfikar Ali Bhutto and Zia’s fascist dictatorship. Considered one of the best pieces of Resistance poetry ever written in Urdu and truly captures the dark ages of Zia and the most heroic struggle of Pakistani Left. A sharp criticism exist in the poem on opportunism shown by a section of writers from the Left who attended “Ahel e Qalam” conference under Zia.
Faraz called them “gadagaran e sukhen” and it contains those great lines which gave hope of revolutionaries in death cells.
“usse maloom nahi tareekh kiya sekhati he
keh raat jub kisi khursheed ku shaheed kare
tu Subah ik naya Suraj tarash lati he—-“