Art


Christ of Saint John of Cross  :  Salvador Dali

“Tearing his clothes, the high priest said, ‘What further need do we have of witnesses? You have heard the blasphemy; how does it seem to you?’ And they all condemned him to be deserving of death.”

Mark 14:63–64

Jesus of Nazareth was convicted by Sanhedrin, the Jewish priest court for the crime of Blasphemy. Today he is God of largest section of humanity.

Salman Taseer and Shahbaz Bhatti were murdered for the crime of Blasphemy—-

Shaheryar Ali

 

 


فوج حق کو کچل نہیں سکتی
فوج چاہے کسی یزید کی ہو
لاش اٹھتی ہے پھر عَلم بن کر
لاش چاہے کسی شہید کی ہو

Shaheryar Ali

I had a glass of Wine in my hand and i was trying to read something when suddenly i heard it.A voice which had the spirit of Indus in it! With voice quality comparable to legendary folk singer Reshman and spiritual ecstasy reminiscent of Abida Parveen, Masooma Anwar is probably the most talented find in the recent times. I times of Jihad when music s dying, singers are being murdered , Masooma’s voice is like a spring of hope.

A medical student, Masooma’s is extremely talented, at such a young age she sings Kafi with a unique ease! She has also sung Kalam-e-Iqbal. She sings Bulleh Shah, Khawaja Faird and Iqbal with equal ease.

Its important that such a talented new singer must be promoted and her talent fully utilized. Below is one of her videos . She is singing a beautiful Kafi of Khawaja Ghulam Farid. Known as Keats of the East, the lyrics of Khawaja’s Kafi are enchanting. The way Masooma has sung it have made it a master piece!

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Shaheryar Ali

Martyr Shabana

Martyr Shabana

Shabana’s bullet ridden body was found slumped on ground in the centre of Mingora’s green square, strewn with money, CD recording of her performances and photographs from her albums. Shabana was a traditional singer and dancing girl from Swat. She was brutally murdered for defying the ban imposed by Taliban. A Taliban leader later appeared on the FM Radio [which our most professional Army with one of the best technical skills, failed to block and claimed it was impossible to do so and which resulted in satirical responses from rival Indian Army as well as from distinguished physicist Dr Pervez Hoodbhoy] and claimed the responsibility for her murder and warned that the Taliban will not tolerate any “un Islamic vices”

This all started when, enlightened and progressive General Pervez Musharraf , who than enjoyed the support of Judiciary [Honourable Justice Iftikhar including], the “civil” society, liberal Imran Khan, gave the province of NWFP to Mullahs of MMA , who in return passed the 17 amendment and legalized Musharraf’s coup. The conscientious judges followed suit.  Molana Fazul-ur Rehman and Qazi Hussein Ahmad enjoyed the fruits of governance for years and later became voices of democracy along with conscientious judges, civil society and of course Imran Khan! The 5 year rule of MMA in NWFP [Pakhtoonkhawa] resulted in banning of music, destruction of arts including the commercial Arts. The thugs of Jamate Islami blackened the feminine figures on the billboards in Peshawar. The traditional bazaars where music instruments were made and sold and where the artists and artisans lived were targeted by police and moral bigots who forced most of these people to flee the province. When MMA left, the province was in the hands of Taliban and Shabana got murdered.

A lot was written in foreign press, Shabana couldn’t finds even a two column10 space in our “free media”, just like that poor Pushto singer who was murdered in Peshawar a few days back. The girl was not even named! Only one who lamented Shabana was “buri auart”, that communist and Indian agent Kishwar Naheed. A representative of second wave feminism, who is now expressing the 3rd wave sensitivities, Naheed was part of the pro-communist Afro-Asian writers association with Faiz Ahmad Faiz. A living witness to the progressive movement and the tradition of resistance literature and Art, Naheed’s response to the times of Jihad has been a collection of poetry which has been titled Wehshat aur barrod mein lipti hue shairi”. ‘Poetry wrapped in explosives and barbarism. The poetry is the expression of a true artist living in the age of Jihad and Crusade! The moral relativism demonstrated by most of newly emerged pro-imperialist liberals by their silence on crimes of United States imperialism in Iraq, Afghanistan, Yugoslavia and Pashtunkhawa, is not to be seen in this work by a great progressive. Whilst the focus of the book remains the Islamist barbarism, one finds echoes of Guantanamo bay, Fallujah and Sarajevo as well. The book includes touching poems on lost comrades like Ahmad Fraz, Benazir Bhutto and Edward Said.

Buddha crying in Swat

Buddha crying in Swat

Hundreds of years old historic statues of Lord Buddha were also wrapped in explosives and were blown. This monstrous attack on Pashtun history and cultural identity also took place during General Pervez Musharff’s golden rule. September 2007, the giant Buddha in Swat dating from 2nd century BC, was attacked twice in 20 days. The Taliban worked in broad day light putting dynamite with help of drill machines. The BBC, Hindustand Times, Dawn and Daily Times reported and highlighted the issue, but nothing was done and Taliban, re attacked it after 20 days. There was hardly any news in Urdu press; no protests were seen in any city of Pakistan. The free media channels of Pakistan also showed a complete apathy. Now Taliban are blowing humans in Swat. The attack of Taliban on statues and silent collaboration of MMA government scarred the artists especially those who earned their living craving Buddha sculptures which were popular amongst tourists.

The Seriaki speaking Pashtun city, Dera Ismail Khan, also known as DI Khan, the fusion of seraiki and Pushto civilization gave the city a unique status. A cultural hub, it was once known as “Dera Phulla’n da Sehra” [Dera is garland of flowers!]. After destruction of Jhang , this city has seen the curse of Jihad! Hundreds of people have been murdered. For years now target killing of Shia population and progressive artists and intellectuals is going on. Silence is the criminal response of Pakistan. The facts are buried in media grand meta-narrative of “sectarian violence”. There is no sectarian violence in DI Khan, there is no rift or collusion between any two sects which are living together for hundreds of years. What’s going on is an Anti-Shia holocaust by Jihadis: Target killing of intellectuals, writers and artists.

Philosopher, poet and linguist, author of 22 books Jamshaid Nayab , was tortured and his bullet ridden body was thrown in front of his house in DI Khan. The Molana praised the act of killing Kaffirs like him in the Friday sermon. Mr Nayab was an intellectual par excellence, a refined poet who authored books of history of western philosophy, on languages and civilization. He belonged to progressive tradition of intellectuals. He was member of the Communist Party of Pakistan. The left wing intellectuals and political activists have been the main target of Jihadi/Taliban forces in Pakistan. More than 450 socialists/Marxist/nationalists political activists have been murdered in Swat and Pashtunkhawa Most activists of PPP and ANP who have been murdered in Pashtunkhawa were those who belonged to socialists/Marxist wings within these parties. It must be noted 98% of  attacks and murders of political activists by Taliban are on 3 parties PPP, ANP and CPP  [all left wing parties]Many of these activists were poets and artists as well or main organizers of art and cultural activities in their regions. Great Urdu poet Mohsin Naqvi also fell a victim to these Jihadi forces in the 90s. His crimes were multifold, being a poet [Koran explicitly condemns poets and poetry in Chapters of Poets], was Shia , was progressive and socialist and supported PPP. He also famously wrote a poem on Benazir Bhutto. The poem has acquired a mythical status “Ya Allah Ya Rasool—–Benazir Beqasoor”

Music is a inseparable part of Pakhtoon culture and tradition. Pakhtoons have never lived without music and dance! For the first time such a thing is happening. The shrine of greatest Pashtu poet and Sufi, Rehman Baba was blown up by the Taliban. Rehman Baba had played a central role in building Pashtun identity, language and tradition. A humanist his poetry teaches peace, love and tolerance. He was known as “Nightingale of Pashtunkawa”. Barbarism didn’t spare the most sacred place of the Pashtun Culture. Hundreds of music centers and shops have been destroyed. Years back , great revolutionary and Marxist academic Eqbal Ahmad vested Kandahar of Taliban. He saw a graveyard of Pashtun culture and tradition. The living Kandahar of coffee houses, story tellers and musicians was no where to be seen. He wrote his impressions in form an article which was titled “Land without Music”. Now Pakistan is becoming the Land without Music.

To be continued

When Taliban target a city, their usual first act is to throw leaflets in the Music and DVD shops ordering them to shut down these because music is obscene and is destroying the moral character of the “youth”. After than they threat the traders of suicide bombings. Next step is a ritualistic burning of CDs and DVDs.
When they take over an area, they ban music, on their check posts , they destroy the CD players of any car which comes by. They destroy all tapes and CDs.
They threaten and torture the local singers and artists who they call prostitutes [dancing girls].
In Swat they brutally murdered a famous singer Shabana because she was “destroying the moral fabric of the society”
Our great Whiskey drinking champion of secularism Aitzaz Ahsan and the corrupt manipulator of foreign aid [Which has resulted in NGO becoming richer and the poor, poorer] the Civil Society for the last two years sat in the lap of religious Right which included fascist Jamate Islami and center right PML-N and de-railed the Anti-Taliban agenda of the secular parties which are in a very week coalition in name of “restoration of judiciary” which according to them was the greatest tool to fight Taliban and all over crisis facing Pakistan.
Today our “free judiciary”, Lahore Hight Court banned 41

Nasebo Lal

Nasebo Lal

Albums of two singers Nasebo Lal and Noora’n Lal both of which belong to the poorest of the poor “Gypsy” tribes of Pakistan who live by singing on the streets. Their halmark is to use a special milk pot, known as “gadvi” as a music instrument. These singers are known for their explicit and erotic songs which have traditionally made them popular in lower classes. Nasebo and Nora’n were discovered by film Industry and made them into two of the most popular singers in Pakistan. Of course our English speaking elites find them “distasteful” and “vulgar”. They only listen to AC/DC and Punk Rock and other western pop/rock music which preaches Bible.
The PML-N govt which these pseudo secular goons have brought back with help of Army had previously banned dancing in Lahore as well and also held a “dvd burning” in Lahore.
Now, their obsession free Judiciary has banned these two singers bcz they were destroying the morals of our youth. The 80% dispossessed who listened to these erotic songs have been saved. Our Urban lads and our bloggers with their broadband connections and air conditioned homes have full access to tons of porn un regulated, and they keep writing on “Shanakth festival” thus de-contextualizing fascism.
Pakistan has become Eqbal Ahmad’s “Land Without Music” and i suggest that Aitzaz Ahsan and Civil society and our Army-ISI -Judiciary worshiping and Zardari hating secular community should dance on Aitzaz Ahsan’s poem with beats of Taliban’s bullets and rhythm of free judiciary

Adal Bina Jamhoor na ho ga—
A democracy with censorship. Congratulation , after releasing Molana Aziz of Red Mosque by free judiciary this is our 2nd step toward Lawyer-civil society’s Utopian society

The great fruits of Long March continue—

Shaheryar Ali

Qul Erzun Erz e Kerbala—-Kul Yom-un-Yom-e Aashura

Every land is Kerbala and every day is day of Aashura

Muhammed Baqir

“Its the story of a night , of murder ,of army invasion , of mutilation of bodies , of imprisonment of ladies, of fire, of suppressed cries , of lashes, of torture, of hangings, of resistance—this is common between Kerbala and 4th April and thats why both have merged as a symbol in Urdu poetry”

On 4rth April , this state took revenge from the people for threatening its existence during the revolution of 1968-69. The dark night which started still continues. The evil still rule. Party once again under threat. One after one they put daggers in our heart. Zulfikar Ali Bhutto , Shahnawaz Bhutto , Murtaza Bhutto and Benazir Bhutto.
Asif Ali Zardari is besieged in presidential palace repeating the mistake which killed each of our leaders. The mistake of reconciliation with alien classes. From his death cell Zulfikar Ali Bhutto wrote “i made a fatal mistake , that tried to reconcile the two classes , there can be no reconciliation between the oppressed and oppressors. Asif Ali Zardari its time to read the “foundation documents of Pakistan Peoples Party”. Its time to enter in final struggle or you know as you yourself said “you are sitting on the chair of martyrs”. The ruling classes have not allowed a single chairman of PPP to live—
Ahmad Faraz wrote this revolutionary poem about our great Army. What have it done to us , from Bengali Genocide to Balochi genocide. What it is doing today. A masterpiece of resistance poetry , it speaks of imperialism both British and American and their mercenaries “our Army”
The initial remarks about Faraz in the video should be understood in context of “inter-left” sectarianism between NAP and Bhutto otherwise Faraz always stood for oppressed nationalities, this very poem is its proof. It should be “war cry of the people”

This second poem is “Mohasra”. “The Siege”. It was written on murder of Zulfikar Ali Bhutto and Zia’s fascist dictatorship. Considered one of the best pieces of Resistance poetry ever written in Urdu and truly captures the dark ages of Zia and the most heroic struggle of Pakistani Left. A sharp criticism exist in the poem on opportunism shown by a section of writers from the Left who attended “Ahel e Qalam” conference under Zia.
Faraz called them “gadagaran e sukhen” and it contains those great lines which gave hope of revolutionaries in death cells.
“usse maloom nahi tareekh kiya sekhati he
keh raat jub kisi khursheed ku shaheed kare
tu Subah ik naya Suraj tarash lati he—-“

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